Beranda  ›  Never Say Never Again Named After Novel

Never Say Never Again Named After Novel

Ditulis Sabtu, 02 April 2022 Tulis Komentar Edit

1983 James Bond moving-picture show directed by Irvin Kershner

Never Say Never Again
A poster at the top of which are the words "SEAN CONNERY as JAMES BOND in". Below this is a head and shoulders image of man in a dinner suit. Inset either side of him, are smaller scale depictions of two women, one blonde and one brunette. Underneath the picture are the words "NEVER SAY NEVER AGAIN"

British picture palace poster by Renato Casaro
Directed by Irvin Kershner
Screenplay past Lorenzo Semple Jr.
Story by
  • Kevin McClory
  • Jack Whittingham
  • Ian Fleming
Based on Thunderball
past Ian Fleming
Produced by Jack Schwartzman
Starring
  • Sean Connery
  • Klaus Maria Brandauer
  • Max von Sydow
  • Barbara Carrera
  • Kim Basinger
  • Bernie Casey
  • Alec McCowen
  • Edward Fox
Cinematography Douglas Slocombe
Edited by Ian Crafford
Music past Michel Legrand

Product
company

Taliafilm
Distributed by
  • Warner Bros. (U.S.)
  • Columbia-EMI-Warner Distributors (U.K.)[1]

Release dates
  • seven October 1983 (1983-10-07) (U.Due south.)
  • 15 December 1983 (1983-12-15) (U.Grand.)

Running time

 134 minutes
Countries
  • United Kingdom
  • United States
Linguistic communication English
Upkeep $36 million
Box office $160 million[two]

Never Say Never Once again is a 1983 spy movie directed by Irvin Kershner. The film is based on the 1961 James Bail novel Thunderball by Ian Fleming, which in turn was based on an original story by Kevin McClory, Jack Whittingham, and Fleming. The novel had been previously adjusted in a 1965 movie of the same proper noun. Never Say Never Once again was not produced by Eon Productions, just by Jack Schwartzman's Taliafilm. The moving picture was executive produced by Kevin McClory, ane of the original writers of the Thunderball storyline. McClory retained the filming rights of the novel following a long legal boxing dating from the 1960s.

Sean Connery played the role of Bond for the 7th and concluding time, marking his return to the character 12 years later Diamonds Are Forever. The film'southward championship is a reference to Connery's reported declaration in 1971 that he would "never" play that role again. Equally Connery was 52 at the time of filming, although nearly three years younger than incumbent Bail Roger Moore, the storyline features an aging Bond who is brought dorsum into action to investigate the theft of two nuclear weapons by SPECTRE. Filming locations included French republic, Spain, the Bahamas and Elstree Studios in the United kingdom.

Never Say Never Once again was released by Warner Bros. on seven October 1983, and opened to positive reviews, with the acting of Connery and Klaus Maria Brandauer singled out for praise equally more emotionally resonant than the typical Bond films of the day. The film was a commercial success, grossing $160 1000000 at the box role, although less overall than the Eon-produced Octopussy, released earlier the aforementioned year.

Plot [edit]

After MI6 agent James Bond, 007, fails a routine training exercise, his superior, Grand, orders Bail to a health clinic exterior London to get back into shape. While there, Bond witnesses a mysterious nurse named Fatima Chroma giving a sadomasochistic chirapsia to a patient in a nearby room. The man's confront is bandaged and afterward Chroma finishes her beating, Bond sees the patient using a machine which scans his eye. Bond is seen by Blush, who sends an assassin, Lippe, to kill him in the clinic gym, merely Bail manages to kill Lippe.

Blush and her charge, a heroin-fond United States Air Strength pilot named Jack Petachi, are operatives of SPECTRE, a criminal organisation run by Ernst Stavro Blofeld. Petachi has undergone an performance on his right eye to make it match the retinal pattern of the United states of america President, which he uses to circumvent iris recognition security at RAF Station Swadley, an American military base in England. While doing so, he replaces the dummy warheads of two AGM-86B cruise missiles with alive nuclear warheads; SPECTRE then steals the warheads, intending to extort billions of dollars from NATO governments. Blush murders Petachi by causing his car to crash and explode, covering SPECTRE's tracks.

Foreign Secretary Lord Ambrose orders a reluctant M to reactivate the double-0 section, and Bond is tasked with tracking downwardly the missing weapons. Bond follows a atomic number 82 to the Bahamas where he meets Domino Petachi, the pilot's sister, and her wealthy lover Maximillian Largo, who is SPECTRE's top agent.

Bail is informed by Nigel Pocket-size-Fawcett of the British High Commission that Largo'southward yacht is at present heading for Squeamish, France. There, Bond joins forces with his French contact Nicole, and his CIA counterpart and friend, Felix Leiter. Bond goes to a health and beauty eye where he poses as an employee and, while giving Domino a massage, is informed by her that Largo is hosting an event at a casino that evening. At the charity event, Largo and Bond play a three-D video game called Domination; the losing role player of each turn receives a series of electric shocks of increasing intensity in proportion to the amount wagered. After losing a few games, Bond ultimately wins, and while dancing with Domino, he informs her that her brother had been killed on Largo's orders. Bond returns to his villa to find Nicole killed by Blush. After a vehicle chase on his Q-branch motorbike, Bond finds himself in an deadfall and is eventually captured by Chroma. She admits that she is impressed with him, and forces Bail to declare in writing that she is his "Number One" sexual partner. Bond distracts her with promises, then uses his Q-branch-effect fountain pen gun to kill Blush with an explosive dart.

Bail and Leiter endeavor to board Largo's motor yacht, the Flying Saucer, in search of the missing nuclear warheads. Bond finds Domino. He attempts to brand Largo jealous past kissing Domino in forepart of a two-way mirror. Largo becomes enraged, traps Bond and takes him and Domino to Palmyra, Largo's base of operations of operations in Due north Africa. Largo coldly punishes Domino for her betrayal past selling her to some passing Arabs. Bond later escapes from his prison and rescues her.

Domino and Bond reunite with Leiter on a U.Southward. Navy submarine. After the commencement warhead is found and defused in Washington, D.C., they track Largo to a location known as the Tears of Allah, below a desert oasis on the Ethiopian coast. Bond and Leiter infiltrate the underground facility and a gun battle erupts betwixt Leiter's team and Largo'due south men in the temple. In the confusion, Largo makes a getaway with the 2nd warhead. Bond catches and fights Largo underwater. Simply equally Largo tries to use a spear gun to shoot Bail, he is shot with a spear gun by Domino, taking revenge for her brother'southward death. Bond so defuses the nuclear flop underwater, saving the globe. Bond retires from duty and returns to the Bahamas with Domino, vowing never once again to exist a secret amanuensis.

Cast [edit]

  • Sean Connery equally James Bond, MI6 agent 007.
  • Klaus Maria Brandauer every bit Maximillian Largo, a billionaire businessman and SPECTRE Number 1, SPECTRE's senior-most agent. He is based on the grapheme Emilio Largo in Thunderball
  • Max von Sydow every bit Ernst Stavro Blofeld, the head of SPECTRE.
  • Barbara Carrera as Fatima Blush; SPECTRE Number 12, assigned to hunt downwardly and impale Bond. She is based on Fiona Volpe in Thunderball.
  • Kim Basinger as Domino Petachi, sis of Jack Petachi and girlfriend/mistress of Maximillian Largo. The surname was inverse to Petrescu for the Italian release of the film.
  • Bernie Casey equally Felix Leiter, Bond'southward CIA contact and friend.
  • Alec McCowen as "Q" Algy (Algernon), Double-0 section Quartermaster who issues specialised equipment to Bond.
  • Edward Fox as "M", Bond'due south superior at MI6.
  • Pamela Salem as Miss Moneypenny, One thousand's secretarial assistant.
  • Rowan Atkinson as Nigel Small-Fawcett, Foreign Office representative in the Bahamas.
  • Valerie Leon every bit Lady in Bahamas, whom Bail seduces.
  • Milow Kirek every bit Dr. Kovacs, a nuclear physicist working for SPECTRE.
  • Pat Roach as Lippe, a SPECTRE assassin who tries to kill Bond at the dispensary.
  • Anthony Sharp as Lord Ambrose, Foreign Secretary who orders Chiliad to reactivate the Double-0 section.
  • Prunella Gee as Nurse Patricia Fearing, a physiotherapist at the clinic.
  • Gavan O'Herlihy as Captain Jack Petachi, a USAF airplane pilot used by SPECTRE to steal the nuclear missiles, and Domino Petachi's brother.

Production [edit]

Never Say Never Again had its origins in the early 1960s, following the controversy over the 1961 Thunderball novel.[3] Fleming had worked with independent producer Kevin McClory and scriptwriter Jack Whittingham on a script for a potential Bond motion-picture show, to be chosen Longitude 78 West,[4] which was subsequently abandoned because of the costs involved.[5] Fleming, "always reluctant to permit a adept idea lie idle",[5] turned this into the novel Thunderball, for which he did not credit either McClory or Whittingham;[6] McClory so took Fleming to the High Court in London for breach of copyright[7] and the matter was settled in 1963.[iv] After Eon Productions started producing the Bond films, it afterward fabricated a deal with McClory, who would produce Thunderball, and then non make any further version of the novel for a period of x years following the release of the Eon-produced version in 1965.[eight]

In the mid-1970s McClory again started working on a project to bring a Thunderball accommodation to production and, with the working title Warhead, he brought writer Len Deighton together with Sean Connery to work on a script.[nine] A lawsuit with Eon Productions ended in a ruling that McClory owned the sole rights to SPECTRE and Blofeld, forcing Eon to remove them from The Spy Who Loved Me (1977).[10] The script initially focused on SPECTRE shooting down airplanes over the Bermuda Triangle earlier taking over Liberty Island and Ellis Island as staging areas for an invasion of New York City through the sewers nether Wall Street. The script was purchased by Paramount Pictures in 1978.[x] The script ran into difficulties after accusations from Danjaq and United Artists that the project had gone beyond copyright restrictions, which bars McClory to a film based just on the novel Thunderball, and again the project was deferred.[8]

Towards the stop of the 1970s developments were reported on the project under the name James Bail of the Secret Service,[8] but when producer Jack Schwartzman became involved in 1980 and cleared a number of the legal issues that all the same surrounded the project[10] [iii] he decided against using Deighton's script. The project returned to the original nuclear terrorism plot of the original Thunderball in order to avoid some other lawsuit from Danjaq and after McClory saw Jimmy Carter mention the issue in a 1980 presidential debate with Ronald Reagan.[eleven] Schwartzman brought on board scriptwriter Lorenzo Semple, Jr.[12] to piece of work on the screenplay, who Schwartzman wanted to brand the screenplay "somewhere in the middle" betwixt his campier projects such equally Batman and his more than serious projects such as Three Days of the Condor.[10] Connery was unhappy with some aspects of the work and asked Tom Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; nevertheless, Mankiewicz declined equally he felt he was under a moral obligation to Eon's Albert R. Broccoli.[13] Semple Jr. ultimately left the project afterwards Irvin Kershner was hired as director and Schwartzman began cutting out the "large numbers" from his script to save on the budget.[10] Connery and then hired British television writers Dick Cloudless and Ian La Frenais[eleven] to undertake re-writes, although they went uncredited for their efforts despite much of the last shooting script being theirs. This was because of a restriction by the Writers Club of America.[14] Cloudless and La Frenais connected rewriting during the production, often altering it from solar day to twenty-four hour period.[10]

The film underwent i terminal change in title: after Connery had finished filming Diamonds Are Forever he had pledged that he would "never" play Bond again.[ix] Connery's wife, Micheline, suggested the title Never Say Never Again, referring to her husband's vow[xv] and the producers best-selling her contribution past listing on the end credits "Title Never Say Never Again by Micheline Connery". A final attempt past Fleming'south trustees to cake the film was fabricated in the Loftier Court in London in the spring of 1983, but this was thrown out by the court and Never Say Never Again was permitted to go along.[16]

Cast and crew [edit]

When producer Kevin McClory had first planned the movie in 1964, he held initial talks with Richard Burton for the role of Bond,[17] although the project came to nothing considering of the legal issues involved. When the Warhead project was launched in the belatedly 1970s, a number of actors were mentioned in the trade press, including Orson Welles for the part of Blofeld, Trevor Howard to play Chiliad and Richard Attenborough as managing director.[9]

In 1978, the working title James Bond of the Secret Service was being used and Connery was in the frame again, potentially going caput-to-caput with the next Eon Bond film, Moonraker.[18] By 1980, with legal issues once more causing the projection to founder,[19] Connery thought himself unlikely to play the role, equally he stated in an interview in the Sunday Express: "When I first worked on the script with Len I had no thought of actually being in the film."[20] When producer Jack Schwartzman became involved, he asked Connery to play Bail; Connery agreed, negotiating a fee of $3 meg ($8 1000000 in 2020 dollars[21]), casting and script approval, and a percentage of the profits.[22] Subsequent to Connery reprising the role, Semple contradistinct the script to include several references to Bond'southward advancing years – playing on Connery being 52 at the time of filming[22] – and bookish Jeremy Black has pointed out that there are other aspects of historic period and disillusionment in the moving picture, such as the Shrubland's porter referring to Bond'southward car ("They don't brand them like that anymore"), the new M having no utilise for the 00 section and Q with his reduced budgets.[23] Originally Semple wanted to emphasize Bond'southward age even farther, writing the script to include him in semi-retirement working aboard a Scottish angling trawler hunting Soviet Navy submarines in the North Ocean.[10] Connery'due south casting was formally appear in March 1983. He trained with Steven Seagal to aid get in shape for the product.[ten]

For the main villain in the film, Maximillian Largo, Connery suggested Klaus Maria Brandauer, the lead of the 1981 Academy Award-winning Hungarian motion picture Mephisto.[24] Through the same route came Max von Sydow as Ernst Stavro Blofeld,[25] although he even so retained his Eon-originated white true cat in the picture.[26] For the femme fatale, director Irvin Kershner selected former model and Playboy cover girl Barbara Carrera to play Fatima Blush – the name coming from ane of the early scripts of Thunderball.[14] Carrera said she modeled her operation on the Hindu goddess Kali, and to "mix that in with a little fleck of black widow and a trivial scrap of praying mantis."[10] Carrera's performance as Fatima Blush earned her a Gold Globe Honor nomination for Best Supporting Actress,[27] which she lost to Cher for her role in Silkwood.[28] Micheline Connery, Sean's married woman, had met up-and-coming actress Kim Basinger at the Grosvenor Firm Hotel in London and suggested her to Connery, and he agreed after Dalila Di Lazzaro refused the Domino role. For the function of Felix Leiter, Connery spoke with Bernie Casey, maxim that as the Leiter role was never remembered past audiences, using a blackness Leiter might make him more memorable.[24] Others cast included comedian Rowan Atkinson, who would subsequently parody Bond in his part of Johnny English in 2003.[29] Atkinson's grapheme was added by Clement and La Frenais afterwards the production had already started in order to provide the motion picture with a comic relief.[10] Edward Fox was cast as Thousand in lodge to portray the graphic symbol as a young technocrat in dissimilarity to the older portrayal by Bernard Lee, and to parody the Thatcher ministry'due south upkeep cuts to government services.[10]

Connery wanted to convince Richard Donner to direct the flick, but after meeting Donner decided he disliked the script.[10] Former Eon Productions' editor and director of On Her Majesty's Clandestine Service, Peter R. Hunt, was approached to directly the flick but declined due to his previous work with Eon.[30] Irvin Kershner, who had previously worked with Connery on A Fine Madness (1966), and had accomplished success in 1980 with The Empire Strikes Back was then hired. A number of the crew from the 1981 film Raiders of the Lost Ark were likewise appointed, including outset assistant director David Tomblin, director of photography Douglas Slocombe, second unit director Mickey Moore and product designers Philip Harrison and Stephen Grimes.[24] [31]

Filming [edit]

A large, sleek ship is moored at a quayside

The Kingdom 5KR which acted equally Largo'due south ship, the Flying Saucer

Filming for Never Say Never Over again began on 27 September 1982 on the French Riviera for two months[xiv] before moving to Nassau, the Bahamas in mid-Nov[12] where filming took place at Clifton Pier, which was likewise ane of the locations used in Thunderball.[32] Largo'southward Palmyran fortress was really celebrated Fort Carré in Antibes.[33] Largo'south ship, the Flying Saucer, was portrayed past the yacht Kingdom 5KR, then owned past Saudi billionaire Adnan Khashoggi and called the Nabila.[34] The underwater scenes were filmed by Ricou Browning, who had coordinated the underwater scenes in the original Thunderball.[10] Principal photography finished at Elstree Studios where interior shots were filmed.[32] Elstree also housed the Tears of Allah underwater cavern, which took three months to construct, while the Shrublands health spa was filmed at Luton Hoo.[32] [10] Most of the filming was completed in the spring of 1983, although there was some additional shooting during the summer of 1983.[12]

Production on the film was troubled,[35] with Connery taking on many of the production duties with assistant director David Tomblin.[32] Director Irvin Kershner was disquisitional of producer Jack Schwartzman, saying that, while he was a proficient businessman, "he didn't have the experience of a film producer".[32] After the production ran out of money, Schwartzman had to fund further product out of his own pocket and later admitted he had underestimated the amount the picture would cost to make.[35] There was tension on set betwixt Schwartzman and Connery, who at times barely spoke to each other. Connery was unimpressed with the perceived lack of professionalism behind the scenes and was on record every bit saying that the whole production was a "bloody Mickey Mouse operation!"[36]

Steven Seagal, who was a martial arts teacher for this film, broke Connery's wrist while training. On an episode of The This evening Show with Jay Leno, Connery revealed he did not know his wrist was broken until over a decade later on.[37]

Music [edit]

James Horner was both Kershner'due south and Schwartzman'south first choice to compose the score later being impressed with his work on Star Trek II: The Wrath of Khan. Horner, who worked in London for most of the fourth dimension, wound up unavailable according to Kershner, though Schwartzman later claimed Sean Connery vetoed the American. Frequent Bond composer John Barry was invited, but declined out of loyalty to Eon.[38] The music for Never Say Never Again was written by Michel Legrand, who composed a score similar to his piece of work as a jazz pianist.[39] The score has been criticised as "anachronistic and misjudged",[32] "bizarrely intermittent"[31] and "the about disappointing feature of the picture show".[24] Legrand besides wrote the main theme "Never Say Never Again", which featured lyrics past Alan and Marilyn Bergman — who had also worked with Legrand on the Academy Award-winning vocal "The Windmills of Your Mind"[40] — and was performed by Lani Hall[24] after Bonnie Tyler, who disliked the song, had reluctantly declined.[41]

Phyllis Hyman also recorded a potential theme song, written by Stephen Forsyth and Jim Ryan, but the song — an unsolicited submission — was passed over, given Legrand's contractual obligations with the music.[42]

Legal substitutions [edit]

The outlines of row upon row of "007 007 007 007 007" fill the screen. A view of countryside, heavily obstructed can be seen in through the gaps.

Many of the elements of the Eon-produced Bond films were not nowadays in Never Say Never Once more for legal reasons. These included the gun barrel sequence, where a screen total of 007 symbols appeared instead, and similarly there was no "James Bond Theme" to use, although no effort was made to supply another tune.[12] A pre-credits sequence was filmed but not used;[43] instead the movie opens with the credits run over the top of the opening sequence of Bail on a training mission.[32]

Release and reception [edit]

Never Say Never Once again opened on seven Oct 1983 in 1,550 theatres grossing an October record $ten,958,157 over the four-day Columbus Day weekend[2] which was reported to exist "the best opening tape of any James Bail film" up to that point[44] surpassing Octopussy 's $viii.9 million from June that year. The motion picture had its United kingdom of great britain and northern ireland premiere at the Warner West Finish cinema in Leicester Square on 14 December 1983.[32] Worldwide, Never Say Never Again grossed $160 1000000,[45] which was a solid return on the upkeep of $36 million.[45] The film ultimately earned less than Octopussy which grossed $187.five million.[46] [47] Information technology was the first James Bail film to be officially released in the Soviet Union, premiering in the summer of 1990 with a gala in Moscow.[48]

Warner Bros. released Never Say Never Again on VHS and Betamax in 1984,[49] and on laserdisc in 1995.[50] After Metro-Goldwyn-Mayer purchased the distribution rights in 1997 (see Legacy, beneath), the company has released the film on both VHS and DVD in 2001,[51] and on Blu-ray in 2009.[52]

Contemporary reviews [edit]

Never Say Never Again was broadly welcomed and praised past the critics: Ian Christie, writing in the Daily Express, said that Never Say Never Again was "one of the better Bonds",[53] finding the motion picture "superbly witty and entertaining, ... the dialogue is crisp and the fight scenes imaginative".[53] Christie besides thought that "Connery has lost none of his charm and, if anything, is more highly-seasoned than ever equally the stylish resolute hero".[53] David Robinson, writing in The Times also concentrated on Connery, saying that: "Connery ... is back, looking inappreciably a 24-hour interval older or thicker, and still outclassing every other exponent of the role, in the goodnatured throwaway with which he parries all the sexual practice and violence on the manner".[54] For Robinson, the presence of Connery and Klaus Maria Brandauer equally Maximillian Largo "very nearly go far all worthwhile."[54] The reviewer for Time Out summed upward Never Say Never Over again proverb "The action's good, the photography excellent, the sets decent; only the existent clincher is the fact that Bond is once more than played by a man with the right stuff."[55]

Derek Malcolm in The Guardian showed himself to be a fan of Connery's Bond, maxim the motion picture contains "the best Bond in the business",[56] but yet did not discover Never Say Never Once more whatsoever more enjoyable than the recently released Octopussy (starring Roger Moore), or "that either of them came very nearly to matching Dr. No or From Russia with Love".[56] Malcolm's main effect with the motion-picture show was that he had a "feeling that a constant struggle was going on between a desire to brand a huge box-office success and the effort to make grapheme as important as stunts".[56] Malcolm summed upward that "the mix remains obstinately the aforementioned – up to scratch but not surpassing it".[56] Writing in The Observer, Philip French noted that "this curiously muted film ends upward making no contribution of its own and inviting damaging comparisons with the original, hyper-confident Thunderball".[57] French concluded that "like an hour-glass total of damp sand, the pic moves with increasing slowness every bit it approaches a confused climax in the Persian Gulf".[57]

Writing for Newsweek, critic Jack Kroll thought the early part of the pic was handled "with wit and manner",[58] although he went on to say that the manager was "hamstrung by Lorenzo Semple's script".[58] Richard Schickel, writing in Fourth dimension magazine praised the pic and its cast. He wrote that Klaus Maria Brandauer's character was "played with silky, neurotic charm",[59] while Barbara Carrera, playing Fatima Blush, "deftly parodies all the fatal femmes who have slithered through Bond's career".[59] Schickel's highest praise was saved for the return of Connery, observing "it is good to see Connery's grave stylishness in this role once again. It makes Bond's pessimism and opportunism seem the product of genuine worldliness (and world weariness) as opposed to Roger Moore'southward mere twirpishness."[59]

Janet Maslin, writing in The New York Times, was broadly praising of the picture, saying she thought that Never Say Never Again "has noticeably more sense of humour and character than the Bond films usually provide. It has a marvelous villain in Largo."[60] Maslin too thought highly of Connery in the part, observing that "in Never Say Never Over again, the formula is broadened to accommodate an older, seasoned man of much greater stature, and Mr. Connery expertly fills the pecker."[60] Writing in The Washington Mail service, Gary Arnold was fulsome in his praise, maxim that Never Say Never Once more is "ane of the best James Bond chance thrillers ever made",[61] going on to say that "this picture is likely to remain a cherished, savory example of commercial filmmaking at its near astute and accomplished."[61] Arnold went further, saying that "Never Say Never Again is the best acted Bond picture always made, because it clearly surpasses whatever predecessors in the area of inventive and clever character depiction".[61]

The critic for The Globe and Mail, Jay Scott, besides praised the film, saying that Never Say Never Again "may be the simply instalment of the long-running serial that has been helmed by a first-rate director."[62] According to Scott, the manager, with high-quality back up bandage, resulted in the "classiest of all the Bonds".[62] Roger Ebert gave the film 3½ out of iv stars, and wrote that Never Say Never Again, while consisting of a basic "Bail plot", was different from other Bond films: "For one thing, there'southward more of a human element in the movie, and it comes from Klaus Maria Brandauer, as Largo."[63] Ebert went on to add, "in that location was never a Beatles reunion ... but hither, by God, is Sean Connery as Sir James Bail. Expert piece of work, 007."[63] Gene Siskel of The Chicago Tribune also gave the film 3½ out of four stars, writing that the film was "one of the best 007 adventures e'er made".[64]

Colin Greenland reviewed Never Say Never Over again for Imagine mag, and stated that "Never Say Never Again is a complacent male person sexist fantasy, where women can be only femmes fatales or passive victims."[65]

Retrospective reviews [edit]

Considering Never Say Never Again is not an Eon-produced flick, it has not been included in a number of subsequent reviews. Norman Wilner of MSN said that 1967'southward Casino Royale and Never Say Never Once again "be outside the 'official' continuity, [and] are excluded from this listing, simply as they're absent-minded from MGM'due south megabox. Just take my word for it; they're both pretty awful".[66] Retrospective reviews of the film remain positive. Rotten Tomatoes sampled 53 critics and judged 70% of the reviews as positive, with an boilerplate rating of 5.60/10. The site's critical consensus reads: "While the rehashed story feels rather uninspired and unnecessary, the return of both Sean Connery and a more than understated Bond brand Never Say Never Again a watchable retread."[67] The score is still more positive than some of the Eon films, with Rotten Tomatoes ranking Never Say Never Again 16th amid all Bail films in 2008.[68] On Metacritic, the motion-picture show has a weighted average score of 68 out of 100 based on 15 critics, indicating generally favourable reviews.[69] Empire gives the film three of a possible five stars, observing that "Connery was mayhap wise to call it quits the first time round".[70] IGN gave Never Say Never Again a score of five out of 10, claiming that the flick "is more than miss than hit".[71] The review besides thought that the film was "marred with too many clunky exposition scenes and not enough moments of Bond beingness Bond".[71]

In 1995 Michael Sauter of Amusement Weekly rated Never Say Never Again as the ninth best Bond film to that point, later on 17 films had been released. Sauter thought the pic "is successful only every bit a portrait of an over-the-hill superhero." He admitted that "even by his prime, Connery proves that nobody does it better".[72] James Berardinelli, in his review of Never Say Never Again, thinks the re-writing of the Thunderball story has led to a moving-picture show which has "a hokey, jokey feel, [it] is possibly the worst-written Bond script of all".[73] Berardinelli concludes that "it's a major disappointment that, having lured dorsum the original 007, the moving-picture show makers couldn't offer him something better than this fatigued-out, hackneyed story."[73] Critic Danny Peary wrote that "information technology was cracking to encounter Sean Connery return as James Bail after a dozen years".[74] He also thought the supporting cast was expert, saying that Klaus Maria Brandauer's Largo was "neurotic, vulnerable ... 1 of the well-nigh complex of Bond's foes"[74] and that Barbara Carrera and Kim Basinger "brand lasting impressions."[74] Peary likewise wrote that the "motion picture is exotic, well acted, and stylishly directed ... It would be 1 of the all-time Bond films if the finale weren't disappointing. When will filmmakers realize that underwater fight scenes don't work because viewers usually tin't tell the hero and villain apart and they know doubles are being used?"[74]

Legacy [edit]

Originally Never Say Never Once more was intended to start a serial of Bond films produced by Schwartzman and starring Connery as James Bond, with McClory announcing the next planned film S.P.E.C.T.R.East in a February 1984 issue of Screen International.[75] When Connery appear that he would not reprise his office as Bond in some other pic produced by Schwartzman three weeks before the borderline to buy the rights to another picture for $v million, Schwartzman said that he was unlikely to make some other film without a deal from MGM/UA and Danjaq.[48] [76]

In the 1990s, McClory appear plans to make some other adaptation of the Thunderball story starring Timothy Dalton entitled Warhead 2000 Advertisement, only the moving picture was eventually scrapped.[77] In 1997 Sony Pictures caused McClory'due south rights for an undisclosed corporeality,[four] and subsequently appear that it intended to make a serial of Bond films, equally the company also held the rights to Casino Royale.[78] This motility prompted a round of litigation from MGM, which was settled out-of-court, forcing Sony to give up all claims on Bond; McClory nonetheless claimed he would proceed with some other Bail movie,[79] and continued his instance confronting MGM and Danjaq;[80] On 27 August 2001 the court rejected McClory's suit.[81] McClory died in 2006;[77] MGM's acquisition of the rights to Casino Royale finally allowed Eon Productions to make a serious, non-satirical picture accommodation of that novel the same year with Daniel Craig equally James Bond. Ultimately, McClory's heirs sold the Thunderball rights to Eon, allowing the company to reintroduce Blofeld to the Eon series in the film Spectre.

On 4 December 1997, MGM announced that the visitor had purchased the rights to Never Say Never Again from Schwartzman'due south visitor Taliafilm.[82] [83] The company has since handled the release of both the DVD and Blu-ray editions of the film.[84] [52]

See as well [edit]

  • Outline of James Bond

References [edit]

  1. ^ "Never Say Never Again (1983)". BBFC . Retrieved xiii June 2021.
  2. ^ a b "Never Say Never Again". Box Office Mojo . Retrieved 20 September 2019.
  3. ^ a b Pfeiffer & Worrall 1998, p. 213.
  4. ^ a b c Poliakoff, Keith (2000). "License to Copyright – The Ongoing Dispute Over the Ownership of James Bond" (PDF). Cardozo Arts & Entertainment Police Periodical. Benjamin N. Cardozo Schoolhouse of Constabulary. xviii: 387–436. Archived from the original (PDF) on 31 March 2012. Retrieved 3 September 2011.
  5. ^ a b Chancellor 2005, p. 226.
  6. ^ Macintyre 2008, p. 198.
  7. ^ Macintyre 2008, p. 199.
  8. ^ a b c Chapman 2009, p. 184.
  9. ^ a b c Barnes & Hearn 2001, p. 152.
  10. ^ a b c d e f thou h i j k l k due north Field, Matthew (2015). Some kind of hero : 007 : the remarkable story of the James Bail films. Ajay Chowdhury. Stroud, Gloucestershire. ISBN978-0-7509-6421-0. OCLC 930556527.
  11. ^ a b "La Frenais, Ian (1936–) and Cloudless, Dick (1937–)". Screenonline. British Film Plant. Retrieved iii September 2011.
  12. ^ a b c d Benson 1988, p. 240.
  13. ^ Mankiewicz & Crane 2012, p. 150.
  14. ^ a b c Barnes & Hearn 2001, p. 155.
  15. ^ Dick, Sandra (25 August 2010). "Eighty large facts you must know about Big Tam". Edinburgh Evening News. p. 20.
  16. ^ Chapman 2009, p. 185.
  17. ^ "A Rival 007 – It Looks Like Burton". Daily Express. 21 Feb 1964. p. 13.
  18. ^ Davis, Victor (29 July 1978). "Bond versus Bond". Daily Express. p. iv.
  19. ^ Barnes & Hearn 2001, p. 153.
  20. ^ Mann, Roderick (23 March 1980). "Why Sean won't now exist back every bit 007 ...". Dominicus Express. p. 23.
  21. ^ 1634–1699: McCusker, J. J. (1997). How Much Is That in Real Money? A Historical Toll Index for Use as a Deflator of Money Values in the Economic system of the United states of america: Addenda et Corrigenda (PDF). American Antique Social club. 1700–1799: McCusker, J. J. (1992). How Much Is That in Real Coin? A Historical Price Alphabetize for Apply as a Deflator of Money Values in the Economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Depository financial institution of Minneapolis. "Consumer Price Index (estimate) 1800–". Retrieved ane January 2020.
  22. ^ a b Barnes & Hearn 2001, p. 154.
  23. ^ Blackness 2004, p. 58.
  24. ^ a b c d east Benson 1988, p. 243.
  25. ^ Smith 2002, p. 195.
  26. ^ Chapman 2009, p. 135.
  27. ^ "Barbara Carrera". Official Gilded World Award Website. Hollywood Foreign Press Association. Retrieved 2 September 2011.
  28. ^ "All-time Performance past an Extra in a Supporting Office in a Movement Film". Official Gilded Globe Honor Website. Hollywood Foreign Press Association. Retrieved 3 September 2011.
  29. ^ "Johnny English" (PDF). Penguin Readers Factsheets. 2003. Archived from the original (PDF) on 30 October 2006. Retrieved v September 2011.
  30. ^ "Director Peter Chase – "On Her Majesty's Secret Service"". Retrovision. Archived from the original on vi December 1998. Retrieved 5 September 2011.
  31. ^ a b Smith 2002, p. 197.
  32. ^ a b c d east f one thousand h Barnes & Hearn 2001, p. 156.
  33. ^ Reeves 2001, p. 134.
  34. ^ Salmans, Sandra (22 February 1985). "Lavish Lifestyle of a Wheeler-Dealer". The New York Times . Retrieved 6 September 2011.
  35. ^ a b Smith 2002, p. 199.
  36. ^ "JAMES Bail 007 Magazine | THE Boxing FOR Bail". 007magazine.co.uk . Retrieved 9 July 2019.
  37. ^ Kurchak, Sarah (12 October 2015). "Did Steven Seagal Suspension Sean Connery's Wrist with Aikido?". Vice.com . Retrieved 24 November 2015.
  38. ^ Jon Burlingame, The Music of James Bail, p. 162, 172, 174. ISBN 978-0-19-935885-iv
  39. ^ Bettencourt, Scott (1998). "Bail Back in Action Again". Motion-picture show Score Monthly.
  40. ^ "The existent James Bond is dorsum, and 007's a winner over again "University Awards Database"". Academy of Film Arts and Sciences.
  41. ^ "The Bat Segundo Testify: Bonnie Tyler". 12 September 2008. Tyler also discusses this in the documentary James Bond's Greatest Hits.
  42. ^ Burlingame 2012, p. 112.
  43. ^ Smith 2002, p. 193.
  44. ^ Hanauer, Joan (eighteen October 1983). "Connery Champ". United Press International.
  45. ^ a b "Never Say Never Again". Nash Data Services, LLC. Retrieved 1 September 2011.
  46. ^ "Octopussy". The Numbers. Nash Information Services, LLC. Retrieved viii August 2011.
  47. ^ "James Bond Movies at the Box Office". Box Office Mojo . Retrieved viii Baronial 2011.
  48. ^ a b "Never Say Never Again". catalog.afi.com . Retrieved 9 June 2021.
  49. ^ Nielsen Business concern Media, Inc (21 July 1984). "Billboard Videocassette Elevation forty". Billboard. p. 35.
  50. ^ McGowan, Chris (xix November 1996). "Dwelling house Video: Light amplification by stimulated emission of radiation Scans". Billboard. p. 96.
  51. ^ "Casino Royal and Never Say Never Once more". Motion-picture show Review (127). April 2001.
  52. ^ a b "Never Say Never Yet Again". IGN. 21 January 2009. Retrieved 31 Baronial 2011.
  53. ^ a b c Christie, Ian (18 Dec 1988). "A Hero's Return". Daily Express. p. 20.
  54. ^ a b Robinson, David (16 December 1983). "Never Say Never Again (PG)". The Times. p. 10.
  55. ^ "Never Say Never Once more (1983)". Time Out . Retrieved thirty Baronial 2011.
  56. ^ a b c d Malcolm, Derek (15 December 1983). "True to his Bond". The Guardian. p. 16.
  57. ^ a b French, Philip (18 December 1983). "Thunderball recycled". The Observer. p. 31.
  58. ^ a b Kroll, Jack (10 October 1983). "Back in the Bond Business". Newsweek. p. 93.
  59. ^ a b c Schickel, Richard (17 October 1983). "Cinema: Raking Up the Autumn Leavings". Time. Archived from the original on 22 December 2008. Retrieved 31 Baronial 2011.
  60. ^ a b Maslin, Janet (7 October 1983). "Sean Connery is Seasoned James Bond". The New York Times. p. 13.
  61. ^ a b c Arnold, Gary (half dozen October 1983). "'Never': Meliorate Than E'er; Sean Connery Rides Over again in the Best of Bonds". The Washington Post. p. E1.
  62. ^ a b Scott, Jay (vii October 1983). "A first-charge per unit director works wonders: The classiest Bond of all". The Globe and Post.
  63. ^ a b Ebert, Roger (7 October 1983). "Never Say Never Again". rogerebert.com. Retrieved 18 October 2008.
  64. ^ Siskel, Gene (07 October 1983). "The real James Bail is back, and 007'due south a winner again". The Chicago Tribune. p. 63. Retrieved 23 February 2021 – via Newspapers.com. open access
  65. ^ Greenland, Colin (March 1984). "Moving picture Review". Imagine (review). TSR Hobbies (UK), Ltd. (12): 45.
  66. ^ Norman Wilner. "Rating the Spy Game". MSN. Archived from the original on xix January 2008. Retrieved iv March 2008.
  67. ^ "Never Say Never Again (1983)". Rotten Tomatoes. Fandango. Retrieved 25 September 2021.
  68. ^ Ryan, Tim (18 Nov 2008). "Total Remember: James Bond Inaugural – Find Out Where Quantum of Solace Fits In!". Rotten Tomatoes. Flixster. Retrieved 5 September 2011.
  69. ^ "Never Say Never Again Reviews". Metacritic. CBS Interactive. Retrieved 30 June 2018.
  70. ^ "Never Say Never Again". Empire. Archived from the original on 24 October 2011. Retrieved 31 August 2011.
  71. ^ a b Pirrello, Phil (26 March 2009). "Never Say Never Again Blu-ray Review". IGN. Archived from the original on 8 October 2011. Retrieved 31 Baronial 2011.
  72. ^ Sauter, Michael (one July 2008). "Playing The Bond Market place". Entertainment Weekly. Archived from the original on 29 September 2008. Retrieved 31 August 2011.
  73. ^ a b Berardinelli, James (1996). "Never Say Never Again". ReelViews. Retrieved 31 August 2011.
  74. ^ a b c d Peary 1986, p. 296.
  75. ^ Aceved, Violet (29 October 2015). "James Bond's abandoned 'SPECTRE' mission from 1984". Screen . Retrieved nine June 2021.
  76. ^ London, Michael (eighteen January 1984). "Motion-picture show Clips: 'White Dog' Volition Take its Day on NBC". Los Angeles Times.
  77. ^ a b Rye, Graham (7 December 2006). "Kevin McClory". The Independent . Retrieved v September 2011.
  78. ^ Elliott, Christopher (23 October 1997). "Never say never again when James Bail is involved". The Guardian. p. 10.
  79. ^ Shprintz, Janet (29 March 1999). "Big Bond-holder". Variety . Retrieved ten March 2021.
  80. ^ Cork, John; Scivally, Bruce (eleven November 2002). "Reeling through the years". Diverseness. p. A15.
  81. ^ James, 1000000 (28 Baronial 2001). "U.Southward. Court Rejects Claim to James Bond". Los Angeles Times . Retrieved four October 2021.
  82. ^ "Metro-Goldwyn-Mayer Inc. announces acquisition of Never Say Never Over again James Bond assets" (Press release). Metro-Goldwyn-Mayer. 4 December 1997. Archived from the original on v May 2008. Retrieved sixteen March 2008.
  83. ^ DiOrio, Carl (4 December 1997). "Mgm, 007 Say 'never' Again". The Hollywood Reporter. Archived from the original on 2 February 2014. Retrieved five September 2011.
  84. ^ Pratt 2005, p. 851.

Bibliography [edit]

  • Barnes, Alan; Hearn, Marcus (2001). Kiss Kiss Bang! Bang!: the Unofficial James Bail Film Companion. Batsford Books. ISBN978-0-7134-8182-two.
  • Benson, Raymond (1988). The James Bond Bedside Companion. London: Boxtree Ltd. ISBN1-85283-234-7.
  • Black, Jeremy (2004). Britain Since the Seventies: Politics and Society in the Consumer Age. Guilford: Biddles Ltd. ISBN978-1-86189-201-0.
  • Black, Jeremy (2005). The Politics of James Bond: from Fleming'southward Novel to the Big Screen . University of Nebraska Press. ISBN978-0-8032-6240-9.
  • Burlingame, Jon (2012). The Music of James Bond. Oxford: Oxford University Press. ISBN978-0-19-986330-3.
  • Chancellor, Henry (2005). James Bond: The Man and His World. London: John Murray. ISBN978-0-7195-6815-2.
  • Chapman, James (2009). Licence to Thrill: A Cultural History of the James Bond Films. New York: I.B. Tauris. ISBN978-1-84511-515-9.
  • Lindner, Christoph (2003). The James Bond Phenomenon: a Critical Reader. Manchester University Press. ISBN978-0-7190-6541-v.
  • Macintyre, Ben (2008). For Yours Eyes Only. London: Bloomsbury Publishing. ISBN978-0-7475-9527-4.
  • Mankiewicz, Tom; Crane, Robert (2012). My Life as a Mankiewicz. Lexington, KY: Academy Press of Kentucky. ISBN978-0-8131-3605-9.
  • Peary, Danny (1986). Guide for the Flick Fanatic. Simon & Schuster. ISBN978-0-671-61081-4.
  • Pfeiffer, Lee; Worrall, Dave (1998). The Essential Bail. London: Boxtree Ltd. ISBN978-0-7522-2477-0.
  • Pratt, Douglas (2005). Doug Pratt's DVD: Movies, Television, Music, Art, Adult, and More!. London: UNET 2 Corporation. ISBN978-ane-932916-01-0.
  • Reeves, Tony (2001). The Worldwide Guide to Movie Locations . Chicago: A Cappella. ISBN978-one-55652-432-5.
  • Smith, Jim (2002). Bail Films . London: Virgin Books. ISBN978-0-7535-0709-4.

External links [edit]

  • Never Say Never Again at IMDb
  • Never Say Never Over again at AllMovie
  • Never Say Never Once again at Rotten Tomatoes
  • Never Say Never Again at Box Office Mojo
  • Never Say Never Again at Metro-Goldwyn-Mayer

wrightforines82.blogspot.com

Source: https://en.wikipedia.org/wiki/Never_Say_Never_Again

Belum ada Komentar untuk "Never Say Never Again Named After Novel"

Posting Komentar

Langganan: Posting Komentar (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel